A totally random, whatever came to mind first, selection of the latest additions to our New Independent Music Friday playlist
Music review written by Tobi Davis
Artist: Ninet Tayeb
With pomp ‘n’ stomp and in glorious old time rock, Ninet Tayeb delivers a heady rendition of Joni Mitchell’s 1970 release “Woodstock”.
Toms land thick and earthy, barrelled and rich in dirt; the smash ‘n’ crash of cymbal and fizz rains down from the sky in percussive counterpoint; kick punches gloved, with texture and depth of tone; snare smacked with rasp and tipping-point. Electric six-strings rattle in awesomely rough riff, with crunch ‘n’ grind. The track lurching in pulsating swells and ecstatic runs, as bass drives form and motion from the back.
Tayeb’s voice soars, soulful and full-bodied with an attacking rasp ‘n’ edge; her performance nothing short of barn-storming; the somber, wistful lament of Mitchell’s original cast to the four winds; and yet, the striking spirituality and heartfelt aspiration of the 1970 release remains.
Very much an rendition for our noisy, social and streaming media times, Ninet Tayeb successfully delivers the meaning and message of Mitchell’s song, without compromise with great understanding and respect. Wonderously operatic and glorious psychedelic; put it on repeat and play it loud. Really loud. ‘We’ve got to get ourselves back to the garden’.
Track: “Forever Endeavour” (Harlan LP)
Four-piece Indie-rock outfit Harlan releases a debut LP of home-brewed delights, shimmering gems; dreamy, introspective, and steeped in amp-warmed nostalgia.
Framed in an ever-shifting world of electric strings in chorus and reverb; founding member and namesake, Harlan Hutton’s voice forms the emotional and musical center of the 9 track album. Her words delivered as part stream of consciousness, part document; ideas and questions interchange; memories mingle with fantasies and forebodings; images from out and within. Hutton’s vocal presented in lingering ambient; supporting backing and double, resonating in odd detachment.
Instrumentation revolves about Hutton in a wondrously open arrangement; overlapping runs of guitar arpeggio and riff are delivered in expansive, musical stanzas; the bass playing and off the various guitar parts with great effect and compelling contrast; drums tipping and falling in lightly worked fill and beat, responding to the ebb ‘n’ flow of lyric and arrangement alike. The band playing the tempo as one; rallying and easing-off, in surges, slows, and stops.
An immensely enjoyable and engaging collection of songs from beginning to end, ‘Harlan’ makes for a disarmingly intoxicating listening experience. It sets about its work gently, drawing the ear and heart. Beautifully loose in its musical form and understated in its production, Hutton’s songwriting is allowed to breathe and move at its own pace. A quiet giant, ‘Harlan’ is an album you’ll revisit time and time again.
Brash Magazine Artist of the Year 2018, the singular art-pop oddity Tanners makes a welcome return with her first release of 2019, the intoxicating neo-synthpop slow-burn masterpiece, “Fumes”.
Synthpads bleed in, melancholic and distant; electro-sonics burst blunt in percussive dabs. Linndrum-style beats snap and clasp, gated tight. The stereo field allowed to breathe open; arrangement crafted in instrumentation and space. Synths soar and resonate with compelling emotion, strikingly atypical for electronic music. The 3-minute 51-second track shifting in steady graceful stanzas.
Tanners works her voice deftly; allowing fragility and breathlessness to temper and texture her accomplished vocals. Verses stagger adrift and lost; choruses delivered in bittersweet surge and soaring rush. In an impressive demonstration of both taste and self-discipline, Tanners never outshines the quiet, understated production; letting the instrumentation stand equal to her voice.
Every bit the slow-burn modern classic, ‘Fumes’ is further testament to the great range and depth of Tanner’s creative talent. Ignored by Spotify in 2018, the great and mighty playlisting gods have finally caught up; ‘Fumes’ earning a well-deserved spot on their, ‘Pop Right Now’ playlist. With so much great music being made by the current generation of independents; in a sky filled with so many bright stars, Tanner’s star continues to shine amongst the brightest of them all.
Share your music via Thursday’s #Musichouruk 8 pm – 9 pm (UK Time) for considering on our New Music Monster Playlist and review as one of our New Music Picks!
Tobi is a mastering engineer and remixer via Tobisonics. As well as writing music reviews for Brash and running various Independent Music playlists, he also hosts Thursday’s #Musichouruk on Twitter.