Week 47 |Tobi’s New Music Monster Picks

A totally random, whatever came to mind first, selection of the latest additions to our
New Music Monster

Music Reviews written by Tobi Davis

Tobi's new music monster

I dont give a damn album by ORKID - BRASH! Magazine BlogArtist: ORKID
Track: “Melodrama” (I Don’t Give a Damn LP)
Rising star of the Swedish Independent scene ORKID drops a dazzling dose of smart Electro Pop with her new song, “Melodrama”.

Arriving in glorious lo-fi fanfare of Hip-Hop and B-Movie sample ‘n’ loop, the 3-minute 56-second track drives from the get-go with a dirty bass drone and the gliding hum of sonically blunt synth-oddity. Beats skip and snip, dry and funky; shifting through the groove in snapping rapid-fire. Brassy hook shunts and stabs; an intoxicating blend of leftfield instrumentation blends and hangs together, almost in spite of itself. Each musical element seemingly chosen for their perfect wrongness.

ORKID works the beats tight with her words. Her voice rising sweetly with soulful depth and compelling warmth. Both gracefully melodic and fiercely percussive, ORKID’s phrasing and lyric compelling, odd, and rich in imagination. Additional harmony adds color and contrast; enhancing the emotional and performance dynamic.

Successfully combining influences from Hip-Hop, Pop, Electro, RnB, Soul, “Melodrama” is an impressively crafted alt-pop composition. Well-judged and tastefully understated production add quality and further integrity. First-rate Indie-pop! Listen to ORKID’s new album, ‘I Don’t Give a Damn’ on all major streaming platforms right now.

Facebook.com/itsorkiid
Twitter: @MatildaMeliin
IG: itsorkid

 

in plain sight by honeybloodArtist: Honeyblood
Track: “Gibberish” (In Plain Site)
Glasgow based Alt-Rock awesome noisemakers Honeyblood deliver a storming dose of jump up ‘n’ down distortion with new song, “Gibberish”.

Introduced in stubbornly unrefined/under-produced home-brewed trash and low mid smudge, the track rips open at 20 odd seconds with grasping, rasping guitars, howling gang vocal, and straight up in the gut live drums; snare smacking blunt and flat; the kick a tightly coiled fist of low weight and punch; hi-hat sizzle and cymbal fizz. Guitars soar in saturation and reverb; crash and crunch in dirty fuzz; drive with torque, distortion-fueled hyper-drone; animalistic and futuristic.

Stina Tweeddale spits, shouts, snarls, and sings in a series of taunting phrases, rants, and harmony infused chants. Perfectly imperfect indie-rock-pop vocal anti-hooks for the disillusioned and disbelieving to drink, dance, and shout along to. The 2-minute 31-second track burning through its runtime in anger, frustration, and awesome noise.

“Gibberish” is the fourth track on Honeyblood’s new 11-track LP. Available via all major streaming media platforms right now.

Facebook.com/yumhoneyblood
Twitter: @yumhoneyblood
IG: yumhoneyblood

 

Charlotte OCArtist: Charlotte OC
Track: “Better Off on My Own”
UK-Based Alternative Pop Artist Charlotte OC delivers a stand-out track of graceful melancholy and compelling musicality, with new single, “Better Off on My Own”.

Piano notes drop sparse and somber and an engagingly simple set of musical phrases. Charlotte O’Conner’s voice world-weary and soul worn. Her own phrasing matching the simplicity of the piano keys; the two musical voices paired in an oblique dance. The 3-minute 32-second track builds in understated layers; drums land present and driving, but never over-reaching; the bass running a series of tight low-frequency dabs down the center of the mix; piano climbing with organ and backing vocals.

O’Conner’s vocal builds with the track; well-judged instrumentation, arrangement, and production crafting a natural context for both her voice and word. Her lyrical style conversational and familiar; invoking thought, reflection, image, and suggestion in gently sing-along line and melody.

O’Conner’s work carries a depth of integrity both surprising and impressive for a young artist; her writing and production evocative of the grand old storytellers like Bruce Springsteen and iconic artists like Tina Turner. Strikingly accomplished and very much ready for radio, “Better Off on My Own” provides clear demonstration that Charlotte OC has the potential to appeal to mainstream and independent audiences alike. Very much an Artist with the talent to climb to the very top. And very much the kind of Artist we want to see at the very top.

Facebook.com/CharlotteOCOfficial
Twitter: @charlotteoc
IG: charlotteocofficial


Share your music via Thursday’s #Musichouruk 8 pm – 9 pm (UK Time) for considering on our New Music Monster Playlist and review as one of our New Music Picks!


About Tobi
Tobi is a mastering engineer and remixer via Tobisonics. As well as writing music reviews for Brash and running various Independent Music playlists, he also hosts Thursday’s #Musichouruk on Twitter.

Facebook.com/tobiproducer
Twitter: @masteredbytobi
IG: masteredbytobi

Week 45 |Tobi’s New Music Monster Picks

A totally random, whatever came to mind first, selection of the latest additions to our
New Music Monster

Music Reviews written by Tobi Davis

Tobi's new music monster

Bloody Motherfucking Asshole by Your SmithArtist: Your Smith
Track: “Bloody Mother F*cking A**hole”
Independent Artist Your Smith delivers a compelling uncomplicated rendition of Martha Wainwright’s, “Bloody Mother F*cking A**hole” .

Performed on acoustic guitar with accompanying piano, the instrumentation of Your Smith’s latest release is not dissimilar from that of the 2005 original. And whereas many Artists may have been tempted to add, Your Smith has in fact taken away; Wainwright’s original consisting of a bass guitar too. Despite the apparent similarities, Your Smith’s 2019 release has a rawer, more soulful and straightforward feel. The acoustic is heavier, fuller in tone with a rasping, metallic edge that punctuates the rhythm of the track with almost tangible texture and taste. The piano deeper, more solid and with a weight that punches into the mix and adds to the percussive energy of acoustic.

There is a disquieten oddness to Wainwright’s wistful yet embittered performance; an overt complexity of emotion, as she works through a strikingly contrasted array of delivery, tone, and timbre. Unlike the willfully disjointed original, Your Smith’s vocal builds in engaging surges, the talented vocalist singing within herself for much of the song; preferring to allow the emotion to well up from beneath, only allowing herself to demonstrate the impressive quality her voice at the very final moments of the track.

Both a loving and respectful homage and, at the same time, very much a stand-alone rendition with unique qualities in its own right, Your Smith’s take on ‘Bloody Mother Fucking Asshole’ is a deceptive simple cover song; crafted with sincerity and insight, framed by tastefully understated and well-judged production. At the heart of which, Your Smith’s unassuming and unguarded emotional performance echos that of the original. The undeniable and disarming force of honesty.

Facebook.com/yoursmithforever
Twitter: @yoursmith
IG: yoursmith

Sugar Mama COLORS by Dua SalehArtist: Dua Saleh
Track: “Sugar Mama – A COLORS SHOW”
Minneapolis-based Independent Artist and Producer Dua Saleh delivers a smart dose of de-constructed percussion and fierce word, with new single, “Sugar Mama – A COLORS SHOW”.

The opening track of her 2019 EP, Nur and tracked for Artist platform ‘COLORS’, ‘Sugar Mama’ is anchored throughout by a metronome-like wood-block; 808 kick and bass stab double landing on and about the 4-count ‘click-track style’ willfully unrefined beat. Short snatches of strings snap percussive left to right across the stereo field. Bass and synth riff arriving in deftly syncopated timings, the compelling odd and quietly cool ‘n’ low-fi instrumentation dancing around the unrelenting wood-block in a gleeful and stubborn refusal to conform and yet, never compromising a beat.

Saleh sneers, snarls, and slings an ever-shifting series of smartly structured soliloquy; taunting and teasing the listener with imaginatively crafted image and surprising contrast of idea and language. Intelligently and unapologetically provocative in tone and meaning, Saleh’s words capture the ear throughout. Saleh working the beats with accomplished finesse and a striking musicality to her performance.

A track a singular identity; both challenging and engaging in equal measure. They are few Artists who possess the required skill, talent, and judgment necessary to say something via their music; in a way in which, people are compelled to listen and able to understand; fewer still, are the number who actually have something to say. Dua Saleh is one of these rare Artists.

Facebook.com/doitlikedua
Twitter: @doitlikedua
IG: doitlikedua

Hold On (Wild Culture Remix) by Caezar + Wild CultureArtist: CAEZAR + Wild Culture
Track: “Hold On” (Wild Culture Remix)

UK-based Indie-pop three-piece CAEZAR and Austrian producers Wild Culture deliver a storming slice of dance-pop with new single, “Hold On” (Wild Culture Remix).

Arriving in quickly shifting dabs of understated synth-sonic, the 3-minute 4-second track grooves with quiet menace; bass tones grinding in background, bit-crushed beats drawing ever closer; a rising shimmer of cinematic strings and beats erupt; snare lands smashed, obnoxious and awesome; vocal hook filtered like liquid.

The track moves between beautifully understated passage and great explosions of sound and emotion. Vocal performance and lyric working in tandem with instrumentation and production; smart use of sonic space employed to ensure definition and depth within the arrangement. A high level of creativity is present throughout; individual musical elements are tastefully tweaked, teased, and textured by inspired use of distortion, filter, and modulation; restrained use of reverb and delay add size, width, depth while respecting the clarity and fidelity of the overall production.

An impressively accomplished production from start to finish; drawing upon the worlds of pop, dance, and film soundtrack, “Hold On” (Wild Culture Remix) succeeds in both delivering a sonic and emotional experience to the listener. Further proof that the much-maligned art of remixing is very much a serious art form in its own right and has deserves far greater critical attention and respect.

Facebook.com/hailcaezar
Twitter: @hailcaezar1
IG: hailcaezar

Facebook.com/wildculture.official
Twitter: @wild_culture_at
IG: wildculture.official


Share your music via Thursday’s #Musichouruk 8 pm – 9 pm (UK Time) for considering on our New Music Monster Playlist and review as one of our New Music Picks!

You can now submit / recommend new releases for our New Music Monster, every Friday via our new Reddit!


About Tobi Davis (BRASH! Magazine/Blog Writer)
​Good producing is like good plumbing. If you do your job right, no one notices. Mix, Remix + Master. Run @monsterthread w/ Singer Songwriter Jon Magnusson. Host Thursday’s @musichouruk. Music Reviews for BRASH! Magazine. Promote. Occasional Lyricist. Love my beagle Enzo + fav bands Little Empire and Moxi.
Check out Tobi Sonics – Mixes + Remixes!

Showreel
Facebook.com/TobiProducer
Twitter: @producedbytobi
Instagram: ProducedbyTobi

About The Monster Thread
The #MonsterThread is a community of Independent Musicians, Bands and Artists supporting each other in making and sharing Indie Music.

Facebook.com/TheMonsterThread
Twitter: @MonsterThread

Week 43 |Tobi’s New Music Monster Picks

A totally random, whatever came to mind first, selection of the latest additions to our
New Music Monster

Music Reviews written by Tobi Davis

Tobi's new music monster

All the Rest Our Youth - BRASH! Magazine BlogArtist: All the Rest
Track: “Our Youth”
Georgia-based Indie four-piece All the Rest drop a tight slice of compelling synthpop groove with new single, “Our Youth”.

Boasting impressively original and ear-catching synth-sonics, the 3-minute 24-second track works its playlist friendly duration at pace; Bass (Tre Houman) and drums (Jud Harris) playing off each other, to create a shifting, syncopated groove that dares you not to move; the obligatory, ‘Industry-standard’ grid-snapped precision set off nicely by an creative approach to rhythmic structure. Frontmen Caleb Smith’s and Baylee Waller’s voices contrasting and complementing in an engaging back and forth through the verses and a rising, soaring harmony in the choruses; framed by funky electro-phonics, derived from synth FX pedal and/or synth (I suspect a bit of both – answers on a postcard, please); the song providing a cool, neo-80s vibe throughout with inspired sound creation.

Backed-up by smartly judged use of pitch and filter FX on both vocal and instrument alike, ‘Our Youth’ engages throughout. Light on its feet and with an eye to the skies, All the Rest’s latest single wins you over with accomplished production and instrumentation; but wins your heart with strikingly honest lyric, delivered in a series of pop-perfect phrases and hooks. With both musical integrity and instantly singalong chorus, “Our Youth” clearly demonstrates All the Rest are ready and able to bridge the gap between the Indie act and mainstream success.

Facebook.com/alltherestmusic
Twitter: @alltherestmusic
IG: alltherestmusic

LA by Kyan Artist: Kyan
Track: “L.A.”
With sweeping majesty in instrumentation and soulful honesty in vocal rendition, independent artist Kyan delivers a singular and standout pop/soul epic with new single, “L.A.”.

Disarmingly lowkey in its opening moments, new song “L.A.” breathes into existence with gentle, but precise dabs of strings, shifting ambient and drum bursts that tumble and fall, cinematic. The instrumentation grows in pulse and surge to great ocean swells of string and emotion. Wonderous backing voice joins in soul-deep tone and harmony. Cymbal and crash shatter, explode and rasp; the track rising Olympus high. Throughout all Kyan’s voice soars magnificent; expert use of vocal technique and tone delivering a steady-build/slow burn of inevitable truth; part confession/part prayer.

With great finesse and deft hand, production technique is used to frame and enhance the 3-minute 43-second pop odyssey; inspired use of sound design casting an entire world of sonic texture; well-judged FXs applied with taste to create depth, variation, and movement within the stereo field. Sincere in intention and audacious in action, “L.A.” is pop music of the highest measure and offers further testament to the great talent and even greater potential of Kyan.

Facebook.com/kyanmusic
Twitter: @kyanmusic
IG: kyanmusic

Woman with a Knife by FelinArtist: Felin
Track: “Woman with a Knife”
With swagger and strut, attitude and gut, Stockholm-based independent artist Felin delivers a sharp dose of cinematic electro-pop, with new single, “Woman with a Knife”.

In delightful taunt and quietly coiled malice, “Woman with a Knife” rises from the shadows in precisely orchestrated layers of building instrumentation and production. The 3-minute 3-second track shifting like musical theatre on a razor’s edge; kick and bass landing deep and proud, snare and percussion delivered with punch and slap. Sparse arrangement of piano and guitar making compelling use of sonic space, allowing the silence to hit hard. Felin’s vocals teasing, sardonic, and foreboding in the verses; rising anthemic in the chorus; tall and confident, brazen and unapologetic.

Delivered with dark humor and driven by raw emotion and considerable anger, ‘Woman with a Knife’ makes for a striking and intoxicating listening experience; threat, promise, rallying cry, and inspiration; “Woman with a Knife” is all of the above; framed in starkly cinematic tones. Felin’s latest single will echo through the bedrooms, college dorms, car rides, and homes of women everywhere. You better not f**k with a woman with a knife.

Facebook.com/thisisfelin
Twitter: @thisisfelin
IG: thisisfelin


Share your music via Thursday’s #Musichouruk 8 pm – 9 pm (UK Time) for considering on our New Music Monster Playlist and review as one of our New Music Picks!

You can now submit / recommend new releases for our New Music Monster, every Friday via our new Reddit!


About Tobi Davis (BRASH! Magazine/Blog Writer)
​Good producing is like good plumbing. If you do your job right, no one notices. Mix, Remix + Master. Run @monsterthread w/ Singer Songwriter Jon Magnusson. Host Thursday’s @musichouruk. Music Reviews for BRASH! Magazine. Promote. Occasional Lyricist. Love my beagle Enzo + fav bands Little Empire and Moxi.
Check out Tobi Sonics – Mixes + Remixes!

Showreel
Facebook.com/TobiProducer
Twitter: @producedbytobi
Instagram: ProducedbyTobi

About The Monster Thread
The #MonsterThread is a community of Independent Musicians, Bands and Artists supporting each other in making and sharing Indie Music.

Facebook.com/TheMonsterThread
Twitter: @MonsterThread

Connected at First Sight | “Familiar Strangers” by Tenille Ja’Nae

R&B/Soul Songstress, Tenille Ja’Nae, Releases her Latest Single, “Familiar Strangers”

Familiar Stangers by Tenille Ja'NaeBrooklyn-based singer/songwriter Tenille Ja’Nae is a rising R&B/soul artist who also fits comfortably in the adult contemporary genre. A New York transplant, born and raised in Little Rock, AR, Tenille Ja’Nae has taken her experiences to create music that is real, heartfelt, and relevant. Her newest single, “Familiar Strangers,”  is one of her most intimate tracks to date. The lyrics paint a picture of two strangers who, while they don’t know each other very well yet, already feel an intense connection with each other. The track also stresses the need to learn the qualities of self-love and self-empowerment. Many of us can relate to this feeling of powerlessness, and the need to look deep inside oneself to find your inner strength.

Drawing frequent vocal comparisons to Whitney Houston, Erykah Badu, with hints of Macy Gray, “Familiar Strangers” combines Tenille Ja’Nae’s soulful vocals and lyrics with a bright, soothing, and catchy acoustic melody. The stories within many of her songs are meant to draw the listener in to reflect on their own life experiences. It’s Tenille’s hope that this storytelling approach to her music will be able to reach the masses and have a positive influence on the lives of others.

“Familiar Strangers” is Available Now on Major Music Streaming Platforms!

“Familiar Strangers” and her previous singles, “Try It Again,” “In My Feelings” and “Too Many Times,” are a great introduction to Tenille Ja’Nae’sunique storytelling style and her classy, contemporary sound.

Get ready to see Tenille Ja’Nae on stages across NYC in the coming months, along with special performances in Los Angeles for BET Week in June and in The Netherlands for a festival appearance later this summer.

www.tenillejanae.com
Facebook.com/TenilleJaNae
Twitter: @Tenille_JaNae
IG: tenillejanae
YouTube.com/janae1able

Love with A Touch of BARZ! | “Love Song” Remix by Omar Wilson ft. T BARZ

R&B Crooner OMAR WILSON RELEASES “LOVE SONG” REMIX Featuring Chart-topping Female Hip-Hop Artist T BARZ

Love Song remix by Omar Wilson ft. TBarz - BRASH! Magazine Blog.jpg

“LOVE SONG” REMIX was written by T BARZ and co-written and produced by Omar Wilson, Louis Humphrey, Jasmon Joyner and Edwin Ramos.

Hip hop recording artist, T BARZ

Hip hop recording artist, T BARZ

“Love Song” is lifted from Omar Wilson’s critically-acclaimed recently released debut album, Living Legend, via the Orchard/Sony/BSE Recordings imprint. “LOVE SONG” original version and remix version are available on all streaming and download platforms now.

The song speaks about the journey of the ups and downs of being in a relationship, but understanding that regardless of what…we are going to make it happen and hold each-other down. – Omar Wilson

“Love Song” Remix is Available Now on iTunes & Spotify!

OmarWilsonOmar Wilson was just recently nominated at the 50th Annual NAACP Image Awards as Outstanding New Artist and is readying to hit the road on a national tour in support of the Living Legend album. Last year, Omar Wilson reached the #1 spot on the Amazon.com R&B Charts with his rendition of the classic, “It’s A Man’s World”, maintaining the position for (3) consecutive weeks. Omar Wilson also made his Essence Music Festival debut in 2018 to rave reviews.

On Living Legend, soul-music aficionados are treated to a full-course experience filled with the classic and familiar sounds from yester-year, blended-in with some of today’s hip-hop and R&B flow, sprinkled with love and passion, while wrapped-up in the soulty and raspiness of Omar’s voice. “This project was a year in the making and I wanted to make certain that this album embodied organic truisms of music from the greats of yesterday, while keeping it real for the listeners of today. I wanted this album to showcase the remarkable vocal prowess that Omar is quite unique in delivering. Living Legend will stand the test of time,” says Lou Humphrey – CEO of BSE Recordings.

Check out more on the album, Living Legend, in the Spring ’19 Issue of BRASH! Magazine OUT NOW!

www.OmarWilson.com
Facebook
Twitter: @OmarWilson
Instagram: OmarWilson1
www.BSERecordings.com

Week 42 |Tobi’s New Music Monster Picks

A totally random, whatever came to mind first, selection of the latest additions to our
New Music Monster

Music Reviews written by Tobi Davis

Tobi's new music monster

Hoochie by Lauran Hibbard Artist: Lauran Hibberd
Track: “Hoochie”
BBC Introducing rising star Lauran Hibberd delivers glorious ‘n’ grungy dose of Indie pop/rock perfection with new single, “Hoochie”.

‘It’s not for everyone’, declares Hibberd as she announces her latest slice of noisy wonderful across her various socials. Driven down the middle by a grid tight kick/snare/kick/snare and awesomely growly, saturated bassline, the 3-minute 6-second track rollicks along with fizzing hi-hat and raspy cymbal splash. Grunty, overdriven blunt guitars cough and grind either side of the distorted-fantastic bassline, with additional six-string noise and excitement arriving hard left/hard right in the chorus. Sublime use of harmony adds delightful timbre to Hibberd’s engaging vocal throughout, with layers added in choruses and follow-up verses. Lyrics sarcastic, sardonic, bordering on the spiteful framed irreverent by bubbly, crowd-pleasing melody bouncing to the beat.

With a spot at this summer’s Glastonbury Festival on the BBC Introducing Stage and placement on a number of Spotify’s top editorial playlists, Lauran Hibberd’s unique blend of the saturated and sardonic looks right to set the world alight. Part of a growing movement of young UK-based Artists/Bands who command the respect of the legitimate Independent scene and harbor the potential for mainstream appeal, Lauran Hibberd is exactly the kind of Artist we need to revitalize our beleaguered charts. And she’s currently on course to do just that.

Facebook.com/lauran.hibberd
Twitter: @lauranhibberd
IG: lauranhibberd

 

Therapy by Dresage & G. SmithArtist: Dresage + G.Smith
Track: “Therapy”
Independent artists Dresage and G.Smith combine creative talents, courage, and inspiration to concoct a kaleido-sonic slice of original and challenging indie-pop with new single, “Therapy”.

Delivered in scattered snatches of sound, Dresage and G.Smith’s debut collaboration strobes in bursts of musical element and vocal phrase. Fiercely percussive throughout, the 2-minute 57-second track shifts in well-staged sporadic ripples, rifts, and rakes akin to that of an improvisational set by an accomplished jazz drummer. Well judged use of weighted kick and crisp snare smack, grounds and locates the beat; providing the listener with an anchor by which to reference the great swirling mass of phonic experiment, smartly contrasted by intuitive use of sonic-space. While understated-cool bassline quietly drives is the background, synth and FX rises, pans, and fades around, through, and across the stereo field. Vocal hook and phrase arrive in glitch, stutter, and delay; often saturated for bite and texture, and frequently slung hard left/hard right with willful irreverence.

Vastly enjoyable on a purely sonic level, “Therapy” catches the listener in a compelling ride of inspired phonic and sound texture; and in this regard, is an acutely musical experience. Highly provocative and engagingly emotive lyric, rich in image and idea add impressive depth to the already stand out production. Complex and intriguing, ‘Therapy’ is a singular composition; brave and risk-taking throughout. Independent music, both inspired and inspiring.

Facebook.com/dresagemusic
Twitter: @dresagemusic
IG: dresagemusic

Facebook.com/gdotsmithmusic
Twitter: @g_smithmusic
IG: g.smithofficial

 

Snow by GeaArtist: GEA
Track: “Snow” (Snow EP)
Rich in sonic oddity, myth and dark musical worlds, Helsinki-based Art-Pop Artist GEA’s new EP, “Snow” is a singular composition of contrasting theme and texture.

Cast in glistening shimmer and embered shadow hues, the 5-song, 19-minute EP unfolds in odd, off-beat, and oblique sonic layers. It ebbs and flows from the eerie to the melancholic, the dramatic to the nostalgic; uttered from afar, rather than put its listener at a distance, it instead transports the listener to that distant, magical place. Reverbs glow and sustain; lush and lingering; drums land heavy and bedded into the earth. Precisely delivered notes resonate alongside the seemingly random phrase and riff; the production at perpetual odds with itself. Voices overlap, delayed and diffused; everything somehow out of time and yet ancient. Old world instrument upon the electronic and sampled; tracks creating a new musical language by speaking it in action.

A deep-rooted emotional resonance beats at the heart of “Snow”; providing the highly experimental composition with a vital, almost primal connection to the listener. As though drawn from a long heritage of folk music and lore, the songs born of unfathomable depth; strikingly spiritual and moving, GEA has created an entire world of music and myth to explore, a world to both lose and ultimately find oneself in.

Facebook.com/geamusicofficial
Twitter: @official_gea
IG: geamusicofficial


Share your music via Thursday’s #Musichouruk 8 pm – 9 pm (UK Time) for considering on our New Music Monster Playlist and review as one of our New Music Picks!

You can now submit / recommend new releases for our New Music Monster, every Friday via our new Reddit!


About Tobi Davis (BRASH! Magazine/Blog Writer)
​Good producing is like good plumbing. If you do your job right, no one notices. Mix, Remix + Master. Run @monsterthread w/ Singer Songwriter Jon Magnusson. Host Thursday’s @musichouruk. Music Reviews for BRASH! Magazine. Promote. Occasional Lyricist. Love my beagle Enzo + fav bands Little Empire and Moxi.
Check out Tobi Sonics – Mixes + Remixes!

Showreel
Facebook.com/TobiProducer
Twitter: @producedbytobi
Instagram: ProducedbyTobi

About The Monster Thread
The #MonsterThread is a community of Independent Musicians, Bands and Artists supporting each other in making and sharing Indie Music.

Facebook.com/TheMonsterThread
Twitter: @MonsterThread

New Releases | Pioneer Soul Shaker Album by Justine Blazer

Justine Blazer Releases Self-Produced Album, “Pioneer Soul Shaker”

Nashville, TN – Nashville based singer, producer, songwriter, and recording artist Justine Blazer releases self-produced album, Pioneer Soul Shaker.

Pioneer Soul Shaker Album by Justine Blazer - BRASH! Magazine Blog

On International Women’s Day (March 8th), Justine Blazer released her leading single off the album, Pioneer Soul Shaker. Recently, NashVegas.com premiered the official music video for “Pioneer Soul Shaker”. Justine signed a distribution contract with Victory Music Buzz for the release of the single and album.

“Pioneer Soul Shaker is about being a strong and optimistic female,” explains Blazer. “Even though life gets tough, persevere through life’s challenges, keeping your head high, high heels on and maintain your soul, spirit, and authenticity. This song is to inspire people to keep going, no mater how hard their path may be.”

Pioneer Soul Shaker is Available Now on iTunes, Amazon, Google Play, & Spotify!

www.justineblazer.com
Facebook.com/justineblazermusic
Twitter: @justineblazer
IG: justineblazer
YouTube.com/singerchick007